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My Neighbor Totoro

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My Neighbor Totoro Review by: Sean Russell Based on work by: Hayao Miyazaki Licensed by: Disney Animation by Studio Ghibili An eight-foot tall monster suddenly appears next to a young girl on a rainy evening. Its towering presence vacuums the westward breeze as drops of rain pelt the top of little Satsuki’s umbrella. With her sleeping kid sister in tow, she has several options available. In the world of Hayo Miyazaki, the most likely solution is to be whisked away on a magical journey. My Neighbor Totoro is a soft gem in the Studio Ghibili catalog of family films. Paired with the likes of Kiki’s Delivery Service, Spirited Away and Ponyo; Totoro is an example of why Hayao Miyazaki’s films are compared to many Disney classics. The movie takes place after Satsuki and Mei’s father moves them to the countryside to be closer to their ailing mother. Their new home becomes overrun by devious Soot Gremlins. When Mei is kidnapped, it is up to Satsuki and Totoro to save her from the evil Soot King. Of course, this is a complete fabrication and illustrates a convention normally used in animated features. Totoro’s richness comes from the relationship between the characters and the sadness of impending loss.

On the surface, this movie appears to be just a cute family film. The presence of the spirit creatures takes on a more significant meaning as the movie slowly progresses. The dust creatures exemplify the children’s reluctance to adjust to their new surroundings. Later, it represents the fear of their mother’s passing, compounded with the late arrival of their father at the bus stop. Ironically, the majority of the film’s cuteness and warmth comes without the use of the loveable Totoro. This is seen by their absence for the first fifteen minutes of the film.

The movie was partially autobiographical. As a child, Miyazaki and his brothers suffered from a mother ailed with spinal tuberculosis. He once said that two male protagonist would have been too painful. Miyazaki originally created the movie with one girl in mind, but wanted to add suspense to the latter half of the film and felt one girl wouldn’t get the job done.

 

I viewed the 2006 dubbed version featuring Dakota Fanning and her little sister, Ellie. The giggling and natural ease of conversation between the two sisters made for a brilliant companion to the beautiful canvas of rich colors and signature character design of Hayao Miyazaki.

In 1988, My Neighbor Totoro was released as a double feature with Grave of the Fireflies. Grave of the Fireflies (Hotaru no haka) was considered to be too much of a financial risk to be released on its own because of its strong subject matter. Surprisingly enough, both films deal with similar themes in drastically different ways. While it can be interpreted that everyone lives happily ever after at the end of Totoro, it can also be said that the mother and two daughters suffer an unfortunate fate.

My Neighbor Totoro is easily one of the most touching and enjoyable selections out of the Miyazaki catalog. It’s a personal and unique movie that fails to follow many of the ordinary conventions of family films. Meanwhile, it manages to capture the spirit and essence of what it means to care for and lose someone you love.

Rating: A

 

Did You Know: The name Totoro actually comes from a mispronunciation of the Japanese word for troll, Tororu.

 

Anime 3000 reviews anime, manga, and games based on specific criteria designated by each medium's respective editor. Anime is reviewed on a scale from F to A+. Series or movies that receive a score of A- or above are considered outstanding, B- to B+ recommendable, C- to C+ average, D- to D+ unrecommended, and F terrible.

 

 


Sean Russell
Written on Friday, 18 September 2009 10:33 by Sean Russell

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